Great Big Chicago

Part III... THE SHOW!!!

     As is my custom, I will present the notables of the show in bulleted format:

~  The show carried characteristic energy from band and audience, though the onstage banter was somewhat stunted.  Séan seemed to me to be a bit out of sorts – more than once I noticed him staring off into space, and his customary cheeky grins were few and far between.

~  Alan’s first comment concerned the awesome history of the House of Blues Chicago.  His mention of the Blues Brothers sent Séan into blues mode, and he offered us minute renditions of “Flip Flop & Fly” and “Soul Man” before Alan introduced the next song.  He began by pointing out that, “In Newfoundland, our horses are dead before the song even starts… and I’m just now realizing this!”  Séan responded with, “Flip flop fly… I think my horse just died…”

~  Just before sending us into intermission with “Lukey,” Alan boasted that the show up to this point had been nothing more than an opener.  “How was that for an opening act?” he asked us.   “How was that for an appetizer?  How was that for foreplay?”

~  Alan let us know a few songs into the second set that his application for popedom had been rejected.  Since Brit handed him his electric guitar, I assumed this was a precursor to some song that might explain why he was rejected, for example because he’d sold his soul to the devil in exchange for a lifetime of rock ‘n’ roll. Rather, it appeared he was interested in the Pope’s position more for the power than the religion, because he assured us that the world will sing when he is king. 

~  Alan, Bob, and Séan were all wearing black, but Kris and Murray had not received the memo and were both looking slightly less stylish in red/orange plaid shirts.

~  I didn’t get to see much of Chicago due to my short stay, and even less due to the booger-freezingly cold weather, so I did not know that “the best thing about Chicago is that the pubs stay open all night.”

~  Séan thanked the United States for their enthusiastic embrace of St. Patrick’s Day, suggesting that it would have been relegated to a minor holiday by now if the Americans had not insisted on being such passionate celebrants.  He then thanked the United States for American girls, whom he likes so much that he married one.

~  It seems that Bob was not actually at the show but was joining us via hologram.  He was in fact relaxing on a deck chair in Palm Beach or something, sipping a fancy tropical drink.  Fine by me; after my dream the previous night, I was just glad he was still alive.

~  Speaking of Bob, he seemed less than thrilled with my panty-flinging shenanigans.  I actually was as well; I ought to have practiced a bit more in the hotel room, and I may have learned that the flinging release that had worked so well with the last thong I used would not be as efficient for the less-than-aerodynamic-yet-magnificently-colored briefs I had chosen this time around.  They did, however, remain onstage until the last encore, at which point a stealthy stagehand snatched them up in the process of gathering up Bob’s menagerie of instruments.  Even though I was paying attention this time, I still did not actually see it happen. Sneaky stagehands.

~  I have the beginnings an idea for the next show, having met so many audience members this time around that would surely have helped me out.  The idea is as follows: Purchase perhaps six or seven pairs of panties, find cohorts in the audience willing to throw them, and have a small, unexpected shower of panties rain upon Bob.  He would be EXCESSIVELY unamused.

~  “Whataya At?” from the band’s debut CD, was apparently used in a commercial for some manner of toll-free phone service in Newfoundland in 1993 or 4, and we had the pleasure of watching said commercial on the screen behind the band before the b’ys launched into the song.  Alan said he loved the commercial despite its cheesiness because it had suggested to people that they were globe-trotting superstars when in fact the globe that they were trotting at the time consisted of almost the entire southeastern coast of Newfoundland.

~  Disappointingly, Alan informed us that all Great Big Sea shows are actually lip-synched, and proved it to us by pointing out that, “Nobody could bust these wicked dance moves and still have breath to sing.”

~   The band’s first time playing at the HOB Chicago was either 18 years ago or 75 years ago, and they were the first of three opening acts for an artist whose name I do not recall. However, this artist didn’t actually know they were opening for him.  In fact, no one did – apparently they snuck in, set their gear up onstage and were such an opening opening act that they literally played before the doors opened and as folks were coming in.

Marley and Tosh are not the only two dogs in the McCann household.  According to Alan’s introduction to Sean during “The Old Black Rum,” he actually owns “about a thousand Beagles.”

During Bob’s spotlight, Alan introduced him by saying that he “plays the everything.”

Set list!

Ordinary Day

Captain Kidd

Billy Peddle

Heart of Hearts

Jack Hinks

England

Flip Flop Fly Diamond and Soul Man (Sean)

Charlie Horse

Whataya At?

River Driver

Ferryland Sealer

When I’m Up

Yankee Sailor

Come and I Will Sing You

Lukey

INTERMISSION

Let My Love Open the Door

Love me Tonight

The Night Pat Murphy Died

When I am King

General Taylor

The Scolding Wife

Sea of No Cares

Good People

Helmethead (har har)

Consequence Free

Mari Mac

Run Runaway

Live This Life

Old Black Rum

Wave Over Wave

     And now for the post-show excitement, which is the reason the actual show had to exist in its own separate blog.

     Kim stopped on our way out of the House of Blues proper to chat with GBS’s sound guy (she knows freakin’ EVERYBODY,) then we parted ways so she could head back to the Foundation Room and I could find the swag table.  The Chicago’s House is much more complicated than Cleveland’s, with several floors and balconies and hallway thingies, and the merch table was situated next to coat check in what may have been the front of the venue but felt like the back.  A random guy stopped to high-five me, presumably because of my shirt, and we had an odd exchange that I can’t remember the details of.  But I’m pretty sure his drunk girlfriend thought I was into her or something, because she was quite tall and her Sisters were right as my nose height as I shoved through the crowd and I heard her make a slurry and suggestive noise as I passed.

     I got a pin (in case you didn’t know, I have found myself to be a pin collector, and this one now has a position of prestige on the front of my bodhrán case,) a keychain (because I don’t have enough, I guess,) and a signed poster (which, upon boarding the bus home, I discovered I had left in the hotel room – Kim assures me that “this is easily fixed,” so I am not FREAKING OUT TOO MUCH, I SWEAR.)  The swag guy over-charged me by $5, a realization that sunk in about 15 minutes later but at the time only glanced off my brain through the predictable post-concert fog.  I suppose that I can’t complain, having been ever-so-graciously hosted by Kim during my stay and knowing that the money goes to a worthy cause – the cause of letting Alan buy an extra round at the Boulder shows.

     Back in the Foundation Room I immediately ordered myself an ice water, grateful to have a bar so close and convenient after an evening of screaming and standing and dancing.  I sat for what must have been around half an hour, occasionally engaging in conversation but generally getting sleepy and feeling uncomfortable in a crowd that was significantly larger than it had been earlier in the day.  I kept wondering what on earth I was doing there, since I always feel so very out of place in crowds and in this case felt the need to cling to Kim or, in her absence, my bar stool.

     I also spent some time in front of the fireplace, having gotten chilly but not yet resigning myself to cover up my I♥BOB shirt with my White & Nerdy hoodie (and it was in fact a very romantic-ish fireplace.)  At some point after that period of waiting and being sleepy and wondering if I should turn in, I noticed that the crowd had become slightly more jovial, and when I turned around I was not exactly surprised to see Alan floating around in a sea of people.

    I was slightly embarrassed (well, maybe embarrassed is the wrong word) when I heard Kim say to Alan, “Could you turn around and say hello to my friend Sarah?”  My first thought was, “Ha, Dad!  Alan Doyle shook MY hand!” and my second was, “He was right, Alan does have big hands.”  My third was something about how socially awkward I am that Kim had to get Alan’s attention for me, and how in the heat of the moment I had no idea whatsoever what to say to Alan Doyle once I was face-to-face with him.

     Alan wandered around meeting and greeting, as is his spotlight-loving custom, and perhaps 10 minutes later (time almost has no meaning, in the Foundation Room) I noticed him posing for pictures.  Naturally I followed my instinct, fetching my camera and inching closer until such a time as I could catch his eye.  This involved waiting patiently while two or three deeply inebriated individuals staggered up to him to tell how much they loved him and ask for an autograph.

     “Hi,” I said as casually as was possible under the circumstances, “I was wondering if I could get a picture.”

     He gave me his best charming game face and replied, “Sure, but you have to be in it too.” (As if that wasn’t the idea already.)  Kim was nearby and more than willing to manhandle my camera for me.  She snapped two pictures while I stood for twenty or so blissful seconds with my arm around Alan’s waist.  This picture shall of course become my Twitter avatar, and possibly my phone wallpaper, as soon as it becomes feasible.

     Alan did not comment on my shirt, nor did he mention my panty-flinging shenanigans.  I wanted to ask him what Bob really thought of them, but part of me was certain that if he were to be honest with me, I might not like the answer.  Instead I told him how much I enjoyed reading his journal entries on greatbigsea.com about the time he spent in England training for and filming Robin Hood with Russell Crowe, remembering the jealousy and wonder with which I read of his experiences being trained in theatrical swordfighting, archery, horseback riding, and such.  I had been wondering if the barn I had seen a dream-job posting for, located in Warwickshire, England, was the same barn that had provided the horses and the training for the actors in the movie (they list Robin Hood among their movie credits, but do not specify which incarnation of the story they were involved with.

(NOTE Dad later made the following comment: “You have two songs about horses and you don’t know anything about them?  It’s a wonder you ever got Kit out of Tickle Cove Pond!”  Hahaha.  You so funny, Daddy.)

     I found myself noticing that despite the very close proximity and excessive talking (and the fact that he had a beer in his hand and the very logical assumption that it was not his first of the night) I detected no alcohol on his breath.  In fact, I noticed no untoward scent at all, which I found fascinating.  A bizarre thought flashed across my mind and disappeared as quickly – if Alan Doyle does not become King of the World, he at least has a very real shot at some kind of dental hygiene award.

     I think what excited me the most about this encounter was that for what could have been ten minutes of my life, I had Alan’s undivided attention.  There were dozens of people in that room with us, and he made his rounds as a generous star does, but for those minutes I was a fan, and he was a musician, and he was choosing to talk to me when he could have been with any number of other people.  And not once did he make me feel like I was taking up his time or badgering him unnecessarily (I’m looking at you, Steve Twigger.)  Plus, you know, he hugged me.  J

     Sometime after this moment of Awesome I noticed that Kris had wandered into the Foundation Room.  Brit had parted ways with Kim several minutes earlier, citing bus pull (when the bus is supposed to leave the venue for either the hotel or the next city,) which was supposed to be at 1am.  It was ten minutes past when Kris appeared, apparently having been sent to fetch Alan, who went on cheerily disregarding the face that they were supposed to have left already and was still hob-nobbing with the fans.  Even after my close encounter with sweetheart Alan, I found I had little to no power of social interaction with regard to anyone else, and so Kris went ungreeted by me.  People were filtering out, and I was getting quite sleepy, so I told Kim I was turning in and found my way out of the venue with an absolute minimum amount of getting lost.    

     There is nothing exciting to report from here on out.  I got dressed for bed and snuggled myself under the plush hotel comforter with the customary after-concert bedfellows – a stale headache, ringing ears, a jumping heart, and an overactive mind.  Kim came in just a few minutes after I lay down.  When I heard her cross to her suitcase I rolled over in bed.

“Alan hugged me,” I told her.

She laughed.

♥

SM

Great Big Chicago
Part II - Days 1 and 2
"Gettin' Ready for da Show..."

     I think my body didn’t mind getting out of bed this morning at 6:30 because it was under the impression that it was actually 7:30.  My body is always surprised by time zone changes and is a little slow at catching up.  I wasn’t about to remind it of the one-hour time change, however, because I went into work with Kim this morning and due to rush hour traffic we had to leave by quarter til 7.

     Getting to sleep had been surprisingly easy, given my body’s customary resistance to sleeping in unusual places, but waking up this morning was actually a blessing.  Waking up saved me from playing out a dream that was not entirely pleasant.  I dreamed that I was in Chicago with Kim and we were going to a Great Big Sea concert… but that Bob wouldn’t be attending inasmuch as he was dead.  He’d died in a car accident several months ago (I wonder if this is some remnant of The Lathe of Heaven working on my psyche,) and for some reason I either didn’t know this or was in denial.  I think that I was confused because Dream Sarah and Real Sarah had conflicting memories of Bob’s whereabouts for the past several months, and I was positive that Bob had been with the band just the other day, according to his Twitter feed. 

     Not cool, psyche. Not cool.

     Much of the time I spent in Kim’s office was devoted to finishing up yesterday’s blog post and figuring out bus times for the Cleveland RTA system for when I get back to Ohio tomorrow.  The latter involved unsuccessfully trying to reassure my mother, who clearly feels that I cannot function on my own because I tend to figure things out as I go and never plan far enough ahead for her liking.  Yes, I probably should have worked out a rock-solid plan for getting home upon my return to Cleveland BEFORE today, but I also have resources at my disposal to make sure it gets done.  I don’t always do things the way she wants me to, and I haven’t killed myself through planning-related negligence yet.  In fact, if I DID do everything the way she would, I would never have been to a concert in Cleveland or studied abroad or met Michael or driven to Maryland by myself, and I certainly would not have accepted Kim’s offer to give me the coolest birthday celebration EVER.  I know you’re not reading this, but Mom: Not everything on the other side of our front door is plotting to kill me, and I wouldn’t have survived to 26 if you and Dad had not instilled some common sense in me.  You might be worrying because you care, but from this side it really looks like you’re worrying because you don’t trust me to do anything without you.

     *deep breath*

     Kim took a route along Lake Michigan to show me Chicago’s most posh beach and its skyline from a great photo-taking vantage before we headed to the hotel.  It was at this point that I made the comment that it was “booger-freezing cold” outside, which Kim thought was funny enough to immediately put on Twitter.

     The Hotel Sax is quite literally within spitting distance of the House of Blues.  The front doors were so close together that you could hold your breath, walk out the Sax’s front door, and not even need to inhale when you got into the HOB.  Rising astoundingly over the HOB are the Marina Towers, which somewhat obscured the view out our hotel window.  The famed House of Blues Chicago itself is actually not much to look at.  It’s a sort of squat, grey, nondescript, saddle-shaped thing wedged between the Marina Towers and the Hotel Sax.  The interior, of course, is generously and elegantly architected, and is beautiful and complex and labyrinthine for the uninitiated first-time visitor, but looking at it from the outside, you would never know it.  Dave Barry might call it a turd of a building.

     I relished a shower, having skipped the day before, and went for a short jaunt to the Subway on the other side of the HOB (an EXTREMELY convenient one, from my perspective – there have been many times I’ve wished there was a Subway near the HOB Cleveland, and there’s one right frickin’ next to the HOB Chicago) to get something small to tide me over til dinner.  I then thought I’d go for a brief walk to explore the area, but I got as far as the Chicago Riverwalk before the cold drove me back to the hotel.  I learned later that there is a Dick’s Last Resort like, right underneath of the Marina Towers, right underneath of the Subway I walked into, and below that is a place to park your boat, if you are a river-going boat owner.  The Chicago River, by the way, was still very green, Kim tells me, from the St. Patrick’s Day festivities that took place just a few days ago.  I also took a picture from the foot of one of the Marina Towers looking up.  Basically it looks like a huge scalloped concrete thing, and if you look close at my picture you can see a railing on each and every scallop.

     Kim had not succeeded in napping, so when I returned to the hotel she got dressed and we met Murray (and by Murray I of course mean Murray Foster) at the House of Blues so she could deliver her Irish Car Bomb cupcakes to him.  I was again astounded by her relatively intimate association with the band, as I stood there awkwardly but buzzing with excitement while she chatted with Murray.  I got a handshake and a friendly hello, and he introduced himself to me as if I didn’t already know who he was.  He’s shorter in person.

      We then returned to the hotel, where I ate my allotted cupcake.  In case you are curious, it was a legit tastegasm explosion.  My sister might say it’s what “sex with a cupcake” would be like.  Our less tasty reason for returning to the hotel was to wait for Kim’s friends Jen and Kevin, who arrived not long after.  Jen was in the throes of a sinus infection, which put only a slight damper on her mood.  She was, after all, preparing to attend a Great Big Sea concert at the iconic House of Blues Chicago with pretty much the coolest people in town.  Kim also got a call from her sister (also named Jenny – it just about made me wish I could have brought my own Jennie with me to Chicago) to update her on her progress through the traffic-choked Chicago streets.

     The plan was to eat at the House of Blues restaurant before the show and do Pass the Line to get into the venue first, but when we got to the venue we were informed that the restaurant had been booked for a private party and would not be available tonight.  Kim was something south of livid, until they also informed us – after ten or fifteen minutes of sitting around the House of Blues lobby trying to decide where to eat and what to do or who to talk to that could rectify the situation – that Foundation Room access also came with Pass the Line privileges.  In light of this new information, and assured that we could get from the Foundation Room (which did not open until 5pm) to the House of Blues Proper before the lame people who would be waiting outside, we went around the corner to Bar Louie instead.

     I ordered the Trio Dips & Chips, but ended up mostly eating the guacamole dip.  The salsa was okay, but the queso dip was entirely too spicy and nacho cheesy for my tastes.  Kim told a story about how she learned that Bailey’s Irish Cream needed to be refrigerated, which I thought was hilarious, since it’s a milk-based beverage.  I did, however, relate my experience with it in Scotland, when I bought a bottle but kept it in the cabinet of my desk because I didn’t trust my flatmate and her friends to not drink it.  I did not refrigerate it, and it didn’t go bad, but then, it wasn’t sitting in there for months.  Then there was some adventure of which I did not get the details and on which Kim later refused to elaborate.  In my notes the only thing I have written is, “That’s when Kathy came up and shoved her tongue…”

     Not long after we ordered, a man walked in the door that made my dining companions quite excited.  Kim hugged him and he sat down with us, and I gleaned from their conversation that he was intimately associated with the band.  In fact, I learned, his name is Brit and he’s the head of their road crew.  He stuck around for at least 10 minutes just chatting with Kim like they were old friends.

     The Foundation Room was pretty awesome.  Like, really really awesome.  There were little nook everywhere to sit in, and a long bar that faced a fireplace.  The lighting was low, as is the custom at the House of Blues, and decorated with warm wood tones and vintage patterned rugs.  Off to the left immediately upon entering, there is a tiny room separated from the rest of the place by a curtain that really just invites you to peek through.  If you do, you will see a very intimate lounge lined on both sides by couches separated by a long coffee table, and at the end a gold statue of Buddha sits in an alcove contemplating inner peace.  There was no one in this lounge, which meant that either the crowds had not yet filtered in, or it was by reservation only.

     We found an empty table that required some squishing to fit most of us in, and passed the time talking of the band and our related exploits (Kim has been to roughly 100 Great Big Sea concerts, Kevin roughly 83.)  I related my panty-throwing expertise (or lack thereof) and the time at my first show when I lost my wallet at the Southern Theater in Columbus.  We also discussed the inside jokes of the OKP (the Online Kitchen Party, Great Big Sea’s official message board) and its primary drama-causing agents, something I stay away from on the OKP as avidly as I do in life.  At one point we were approached by a woman, much to the chagrin of Kim and Jen, who shall remain nameless but who is known around the OKP for being one of those monster-rabid superfans who routinely go way too far in their desire to interact with their idols.  She is of the “Well, in my defense, you made it really easy to figure out where you live” persuasion, just south of “permanent restraining order from the band.”  She was already somewhat inebriated by the time she got to us, and I wondered just how much she would be able to enjoy the music and the band by the time the show finally started.  She tried to talk to me, affecting an intimate interest in my life and goings-on, which is weird coming from a person that you only know about through an online community and don’t really talk to even then.  It did, however, make me feel like I was at least somewhat infamous around the OKP, which was kind of cool.

     I kept looking at the time, getting anxious with each passing minute about being first in line to get to the stage once they started letting us in.  When it was finally time, I was annoyed to discover that they had started letting people in from outside before we had been informed that we were cleared to enter the venue.  I still managed to get a sort-of-second-row spot after wedging myself in between a despondent-looking teenage boy and a middle-aged blonde woman with a braying laugh.  And then, as it always happens at the House of Blues regardless of city, the waiting began.  Behind me were two girls who struck up a conversation when they noticed my Weird Al Yankovic hoodie.  I chatted with them for most of the time that we waited (they were thoroughly entertained by my promise to throw underwear at Bob whenever he happened to do a solo.  They introduced themselves as Nathaniel and Supa-fly (allusions to the Weird Al song “Albuquerque”) and one took to showing me her tattoos.  When I asked her the names of the koi fish and the dragon, she said that she had never thought to name them (can you imagine?) and then came up with the names Kelly, Bob, Sheela, and Priscilla for the four figures on her arms.

     Kim, Jen, Jenny, etc. were not as interested in being squished as close to the stage as possible, and left me to my own devices as they hung back and opted for a spot on the floor that offered more elbow room.  So when the show started, we were somewhat separated.  I do regret it some, that I experienced the show more or less on my own rather than in the company of those I had come with, but I still had a rollicking good time.

♥

SM

Great Big Chicago
Part I – Days 0 and 1
“Getting’ Up and Gettin’ There”
Holy fakashkapants, it feels like it’s been positively forever since I last found myself staring at a blank document earmarked for greatness in the form of a blog post. This one begs to be written, however, as it shall document several new experiences for me – the type of experience I have missed sorely since returning from Maryland over a year ago. Though clearly domestic in nature, it has a color similar to my semester in Scotland, what with the public transportation and the going to a large city I’ve never been to and feeling all touristy and getting “free wifi” that doesn’t actually let you connect. A 5 ½ hour bus ride gives one ample opportunity to fetch out one’s computer and attempt to record one’s goings-on, so I will stretch my blogging muscles and attempt to write something that is actually readable, being as out of practice as I am.

My birthday yesterday was one of my more unremarkable ones. Most of my friends who are even remotely local live an hour away, and my work schedule didn’t afford me a real opportunity to make plans at the Hooley House (ironically and unhappily, this coming week’s schedule gives me 6 straight days off, which is kind of nice but mostly sucky because if this continues I literally won’t be able to afford my job.) Therefore most of my rainy birthday was spent attempting to slay the headache that had overtaken me the previous day at work, cleaning my room a bit (which meant organizing the recycling that SotY can’t know I’ve been rescuing,) packing for my trip, and messing around on my laptop until I had to leave to work the closing shift.

Dana and Jackie were awesome to close with, being super-nice individuals.

After a half-night’s sleep I had surprisingly little trouble dragging myself out of bed half an hour after my first alarm went off. Bailey was there to get me at five minutes past seven, and the drive into Cleveland would have been more or less completely relaxing and uneventful if not for the twenty-seven million other people that felt like they also needed to get into Cleveland this morning via route 90. [Side note: It is now roughly 10:30 am and we are apparently in Toledo, stopping to load some more passengers.] We lost several minutes of talky time, which could have been filled productively with an animated discussion about Heroes, courtesy of my growing terror at the thought of not making it to the bus stop on time. It was about five minutes past 8 when we arrived. John carried my wee suitcase as we power-walked across the parking lot, and the nice bus driver (Raoul) checked my reservation number casually. I asked if I had an assigned seat or anything, and he told me that I could sit anywhere I wanted. “Except here,” he clarified, patting his seat behind the wheel of the bus. I gave him a crestfallen look and said, “But that was my first choice! You must have the best view on the bus!” I believe that as I made my way up the stairs (you can’t ride a double-decker bus and willingly sit on the bottom level) (Jennie) he said that I could try that seat if I wanted to, and I may have commented that that may not be the wisest choice for everyone involved.

The first small leg of the journey took us through streets in Cleveland that I have never known the pleasure of perusing, and reinforced my traveler’s mentality. I saw several small shops and restaurants I would otherwise have never known existed. Despite knowing nothing about any of them, I felt that the entrepreneurial spirit was strong on this side of town and that every one of them deserved my patronage. I wanted to name a few of them here, but because I didn’t have my notebook in front of me at the time and I have the short-term memory skills of a goldfish, they shall for now remain unnamed.

So I have now been on the bus for almost 2 ½ hours, and we are on our way back to I-80. Whatever you read next will be, from my perspective, written in the future.

Several hours later…

It suddenly feels like we’ve gotten off at an actual exit. An hour and a half ago we stopped at the Ernie Pyle rest stop near Howe, Indiana, where I got some chicken tenders and water at Hardee’s, some money at an ATM, and some Motrin from the gift shop, where I also happened to find a rooster downing a glass of wine and a key fob that declares colorfully that “I LOVE BOB.” I purchased neither, being a somewhat sensible woman.

The ride is becoming tedious. Headache is tenacious, RLS is trying to catch up, and my stomach has been thinking about waging a silent war with me. So far it seems undecided in the matter, but I can feel it weighing its options.

The Adventure of Black Peter, an attempt at resting, nine pages of John Green’s embarrassing “Zombiecorns” novella (which I started reading again last night and which interestingly takes place in Chicago,) an entire Adam Lambert album, and two Brigid’s Cross songs bring us to where we are now. I’m really super hoping that my travel discomforts will not infect this entire trip, or I will prove to be a sorry companion for Kim, and not at all fit to be in the front row of a Great Big Sea concert.

A few hours later…

The bus driver announced that we would be arriving at our destination in a few blocks, so I texted Kim to let her know I was preparing to de-bus soon. She let me know that she could come around and pick me up, unless I wanted to wander about in town first, but with my heavy backpack and the biting wind I decided that the former would be preferable. After being accosted by two church representatives asking for money and one supposedly downtrodden single mother asking for money, I wandered toward the nearest building accessible to the Nonlocal Public Fresh from Cleveland, the Amtrak Union Station, to hide from the cold. I checked out the lower level of the Amtrak station, finding its hub to be a disappointing parody of the train stations in the UK – there was a single ticket window and a tiny convenience store selling overpriced goods and sundries, not including maps of Chicago. Eventually I received a phone call from Kim. “Go down the street to Union Station so you can get out of the cold, and I’ll be there in about fifteen minutes.”

I was on my way back out to the bus stop and in the middle of a fresh accosting by a homeless person asking for money in exchange for a Chicago Transit Authority periodical that I will never in my life need when I saw a green VW bug coming toward us, “Actually, it looks like my ride is here,” I said out loud with a substantial amount of relief. I’d been accosted by almost as many people in my half an hour in Chicago as I have in the many times I have been into Cleveland.

Little did I know that rescuing me from strangers was only the first awesome thing about Kim.

My immediate impression of Chicago is that it is freaking MASSIVE and everything is so close together that it practically sits on top of itself. There are a lot of stone buildings, which reminds me faintly of London and Glasgow, but probably more of Glasgow because there are actually streets you can cut across. In London I swear there are places where you can walk for 20 minutes before you find an intersection. Kim acted as my personal tour guide, pointing out the Trump Tower, the Marina Towers, the building she worked in at her second job, a Polish church that she is particularly fond of, the Museum of Art and Engineering, and Sears Tower (Chicago is big on towers, and its skyline makes Cleveland’s look positively dwarfish.)

The roads look at least as complicated as Cleveland’s but much narrower, with cars generally parked on either side. I mentioned that while the expense of tolls and gasoline (as opposed to the $10 I spent on my Megabus ticket) is what stopped me from driving to Chicago on my own, I am also grateful that taking a bus does not require me to actually drive in Chicago. Kim’s car (LuLu) is small like mine, but she’s also a little spitfire thanks to the brain controlling her, whereas Jasmine would be a terrified little mouse afraid to play with the other cars. Kim disagreed, insisting that it’s not as frightening as it seems and that she’s sure I would be able to drive just fine. “Look!” she said, pointing across the intersection at a man crawling through the crosswalk in a power wheelchair. “There’s a guy in a wheelchair! He’s fine, You’d be fine.” (However, I do feel compelled to point out that a moment later, she added, “Oh, look, he’s gonna cross in front of me. I’ll probably pick him off now.”)

Driving along the lake we saw several artisitical and musem-al buildings, as well as an odd little basketball court-sized collection of statues. At first I thought they were leg or pant statues, until I realized that their heads were gone and their arms were bound. “What’s with the headless people over there?” I asked. Kim looked out her window at the odd field of hollow, headless brown figures, and said, “It’s ART, Sarah. Obviously.” She had no idea what they were about either, but since her wealth of knowledge about the area extends so very far already I will not complain about not knowing the story behind the headless pant-statues.

We lunched at one of the three University of Chicago dining halls, and as good girls we both had salads. I was thrilled that they had Silk machines that dispensed both vanilla and chocolate soymilk, but disappointed that the chocolate was empty. We chatted about work and school and shoes and her expectations for the show tomorrow and her plans to make IRISH CAR BOMB CUPCAKES tonight. How epic do Irish Car Bomb cupcakes sound? It means there is Bailey’s in the vicinity. I know, I know. I can smell the jealousy from here.

I also started to appreciate the depth of Kim’s Great Big Sea fandom, as she spoke of the GBS road crew like they are old friends of hers and explained the particulars of the evening she has planned for us tomorrow. House of Blues Restaurant and Pass the Line were only the beginning of the dream as, in a business-like manner, she told me that she had also booked VIP access to the Foundation Room, where it is apparently common for a band to hang out before or after a show. This woman KNOWS how to go to a concert!

The aforementioned appreciation was amplified when we go to her lovely apartment and I marveled at the autographed promotional posters and album art that decorate her walls as well as many flattering photos of land and harbors and lighthouses that she has taken during her forays in Newfoundland.

Before getting the cupcakes started. Kim ordered dinner from a local Italian place called Fellini’s. The man who answered the phone was, according to Kim, roughly 107 years old, and she informed me that we might not actually get the salads that were supposed to come as part of our meal. After a somewhat discombobulated confusion as to which door the delivery was to come through, we settled down to watch the Great Big DVD that is included in the GBSXX box set, featuring interviews and hijinks and behind-the-scenes goodies from the band’s early years. Kim told of a few of her exploits as a Great Big Sea-head, the most memorable being the time she booked a block of hotel rooms and hosted a GBS-themed after party that featured several of my cohorts from gbs.com and was so utterly rocking that the band actually showed up to party in the wee hours of the morning (minus Séan, whose wife and brother were in town at the time.) “Bob Hallett was actually answering the door for me,” she fondly recalled. This event also spawned the famous “cupcake” in-joke that I will not go into right now as it is somewhat bawdy and would be tedious to fully explain. I will simply say that Kim’s Irish Car Bomb cupcakes were a monstrous success with everyone involved.

Shortly afterward I had to go to sleep, for I was exhausted.

I did NOT lick the leftover Bailey’s-and-cream-cheese frosting out of the frosting bowl, no matter what Kim tries to tell you.

It was delicious.
♥
SM

Great Big Sea: October 21st 2010 – Kent Stage

Yeah, I know. It’s been three weeks now and I’m just getting around to posting this. We’ve been through this before with plenty of other blogs, so we’ll skip the part where I apologize and get right to the… you know, the main part.
I left the college at 6 pm (well a little after 6, as I had forgotten my mp3 player and there was NO WAY I was making the trek without it). The drive there was surprisingly lonesome, long, wet and a bit nerve-racking, I think because it was so overcast and dreary, the sky kept spitting rain on me, and I was constantly second-guessing myself about whether or not I had missed my exit, which is something I always worry about. I’m usually good about not losing my way when I’m driving to a new place, but it doesn’t stop me from being nervous. Few things make you feel more lonesome than making a trip to a place you’ve never been, by yourself, wondering if you’re lost and just haven’t realized it yet. I was ecstatic when I finally saw Dad – I’d found myself thinking that I couldn’t wait to see him, and that I’d give him a huge hug when I saw him, which I did.
It seemed like the venue was really out of the way, but I discovered upon finally getting there that it was in the middle of a town similar to some of the communities I’ve been in near the lake. After one missed turn, a mistaken intersection and a rather harried conversation with Dad, we found one another and, after still more driving in circles, we found a parking space that was technically 2-hour parking but that nobody must have been paying attention to.
The venue had sort of an old-time feel to it, with a strong tie to history similar to the House of Blues but less sleek. We couldn’t appreciate it too much due to the volume of people packed into the place (sold out to the doors, thank you very much), but we did stop and talk to Glenn at the swag table. I showed him my “I ♥ BOB” shirt, and he laughed at me. I also showed him the picture on my phone of my autographed bodhrán (I got my bodhrán signed by Séan McCann… didn’t I tell you?).
It took me several minutes, naturally, to decide what I wanted. Of course I got a copy of Bob’s book Writing out the Notes, available from greatbigsea.com and Insomniac Press. The online price is $13.99, but of course the swag price was higher ($20). I really liked the grey tour shirts, but it seems like I get a shirt at every tour I go to. I spent a considerable amount of time (surprise) deciding between the hat and the shirt, and ultimately decided on getting the hat, on the grounds that I don’t have as many hats as I do shirts and that come summer it may be helpful to have one during an internship (crosses fingers).
We didn’t talk to Diane and Kevin much, as it was difficult to wade through the crowd, but I stood and watched the door at the back of the venue after we found our seats (8th row, Stage Murray). This was strictly for the purpose of watching for Diane and Kevin, and had absolutely NOTHING to do with me wanting to show off my “I ♥ BOB” shirt to as many people as possible without being obvious about it. And you should know that as I was standing there I noticed a boy and a girl, perhaps a few years younger than me, point and then pick their way down row 9 (apparently their seats were right behind ours). As they got close the boy raised his hand in the international manner of a high-five request, and said “I just wanted to congratulate you on the awesomeness of your shirt!”
So there you have it. There is SOMEONE OUT THERE THAT LOVES MY BOBSHIRT. SO ALL YOU PEOPLE WHO LIKE TO MAKE FUN OF MY BOBLOVE (Dad and Kevin), CAN JUST TAKE THAT. And when Kevin approached me a few minutes later to give me money for some t-shirts he was buying to help me out with an entrepreneurship class (ha! I spelled that without spell-check!). I made absolutely sure he knew about The High-Five Kid. (which is how I referred to him, like he was some kind of legendary hero),
Later in the week I discovered that The High-Five Kid is actually an accomplished guitar, accordion and bodhrán player named Alex. I found him on the Online Kitchen Party in the “Show Reviews” thread.
I had a Subway napkin in my purse that I pulled from to make impromptu earplugs. Dad turned me down when I offered it to him, but changed his mind later… after my first scream… and even then, he only put it in the ear that was closest to me. Silly Daddy.
Before I get to the set list and the bulleted show highlights, I want to say that, although it seems that everyone who was at the show touted it as the best they’d ever been to, I felt that it was slightly sub-par from what I’m used to. It was naturally just as fun as any Great Big Sea show, but I felt just a smidge underfulfilled for some reason.
That is all.

Set List! (I checked this against the primary copy someone posted on greatbigsea.com, so it should be accurate (and for the record, I did remember to charge both my phone and my camera this time):
Process Man
Captain Kidd
The Night Pat Murphy Died
When I’m Up
Lukey
Safe Upon the Shore
Charlie Horse
Nothing But a Song
Good People
River Driver
Dear Home Town
Yankee Sailor
80’s Medley (I Fought the Law, Summer of ’69, Hit Me With Your Best Shot, Don’t Stop Believing, Sweet Dreams (Are Made of This), 500 Miles, Bohemian Rhapsody)
Run Run Away
Intermission
(Long Life) Where Did You Go
Love Me Tonight (w/ “Tonight’s Gonna Be a Good Night” homage)
England
Beat the Drum
When I am King
General Taylor
The Scolding Wife
HELMETHEAD!!!!!!
Consequence Free
Mari Mac
Ordinary Day
Encore 1:
Wandering Ways
Excursion Around the Bay
Fortune Set
Encore 2:
Oh Yeah
“Ode to Ohio”
Old Black Rum

The abundant string of pineapple jokes puzzled me a bit – I wondered if there was some joke that I should have been aware of but was not. From what I can tell, the simple answer is that there was a pineapple on the stage, and the guys felt that it ought to be the source of the evening’s in-joke. The pineapple received several mentions and even some time in the spotlight during a musically irrelevant “pineapple solo”. Sean, of course, succeeded in taking everything Alan said and responding with something plausibly dirty.

______________Alan presents the pineapple to the crowd_____________

I got a video of “Yankee Sailor”, my favorite song from the new album, although I missed the first several chords as I was trying to decide if I wanted a video or not. Alan turned the spotlight over to Bob so he could introduce the song (still weird seeing him talk onstage). I also took a video of the second half of Mari-Mac, mostly for the purpose of annoying my mom with it. She detests that song. :-p

You would think that after 16 years together, Alan and Sean would have exhausted their options when it comes to ways to introduce “Paddy Murphy” onstage. Alan came up with this lovely invitation to the masses of Seanivores in the audience: “It’s Sean McCann! See him! Know him! Hear him! Touch him! Love him!”

_______________See! Know! Hear! Touch! Love!_______________

At a semi-quiet point near the beginning of the show, someone in the middle of the crowd shouted “MARI-MAC!!!” extra loud, to which Alan paused and replied, “I’m sorry, we don’t take requests… we only play the hits. Aaaaaaaaaaall of the greatest Great Big Sea hits!” This is of course a well-known jest at the fact that, in 16 years of band-dom, the guys have only had one genuine “hit” – Sea of No Cares. They did not do this one at this particular show. I can’t remember which song followed this proclamation.

_______________________Kris and Alan____________________

Alan’s outro to “Safe Upon the Shore” was priceless, and I think it was perhaps a sentiment that has been reflected in the minds of a lot of GBS fans after first hearing the tune: “Grand job with that song, boys [Sean and Murray]. The first time I heard that song, the first thing I thought was 'This is pretty cool… what a beautiful song,’ and then I thought 'JAYSUS, HE'S DEAD!”
I’ll take a moment here to say this: they sort of allude to the fact that the boy in the song is dead when they sing the chorus (“So give a sailor not your heart lest sorrow you do seek… Let true love not be torn apart by favors from the sea”). What I think is interesting is that the chorus is so blatantly fatalistic while verses are full of hope, yet the overall tone of the song never wavers. You feel a strong, hopeful pull right up to the point where it’s actually revealed that the sea has played a cruel trick on the fair maid by returning her lover’s corpse to her. I also love how with very few lyrics and absolutely no music, (Sean and Murray) make you believe that the sea is a living, breathing entity, capable of love, anger, deceit, patience, etc.
Alan congratulated us when the song was over, commenting on how perfectly tight-lipped everyone was (it was one of the few times we all sat down). Sean turned this praise into a dirty joke, and they carried on with the show.

______________Sean and Bob "Safe Upon the Shore"______________

I thought the end of General Taylor was a little tense, vocally. Sean usually belts it out with that strong tenor he has, and it can be unbelievably impressive, but… I don’t know. It felt weak, like he was trying to be loud without using the full strength of his beautiful vocal power. I think Dad and I exchanged a glance at that point, and I’m sure he was thinking the same thing.

There was a woman named Jenny in the audience celebrating her 32nd birthday. Alan and Sean had us all sing to her, then proceeded to sing the song "Jenny" to her. We, of course, sang the phone number part. Alan asked us if we knew any other songs about girls named Jenny. I shouted out, "FLIGHT OF THE CONCHORDS!!!!", prompting him to turn in my direction. "Flight of the Conchords, eh? They have a song called 'Jenny'? Oh, that's right, they do." He ultimately decided, however, that FotC's "Jenny" didn't fit with the mood he was trying to convey, and they didn't sing it. But how awesome would it be to see Sean and Alan do that song together? I vote that they cover it!

Alan and Sean talked about how they went jogging in a park earlier in the day, where (lo!) they ran into Murray (quite literally, it seems). This prompted Murray to mention how Alan's new, "post-Robin Hood" beardedness tends to frighten small children. Alan and Sean in turn complimented Murray's cleanshaven, "manscaped" face. More bawdiness ensued.

____________________"Manscaped Murray"___________________

During The Scolding Wife, Sean changed “caught me by the middle” to “caught me by the coconuts”. Séan is known for changing the lyrics of this line, and I’m sure there have been countless versions of it tailored for countless audiences over the years.

I wasn't keen on the video screen behind the band. They've never used, or needed, one in the past, plus the pictures were kind of grainy and in some cases distracting. When Kris was allowed the luxury of coming out from behind the drum set with the piano accordion, however, he took to wandering about and between the other guys, as is his wont. This time, however, he was dragging an extraordinarily long cable behind him, and thrusting the terminal end of it into everyone’s faces and instruments. Even though there were images being projected on the screen behind the band (which I, in my defense, didn’t notice – as I suggested, I’m not accustomed to GBS shows having screens), it took me forever to realize that he was carrying a scope-like camera around. ___________Kris threatens Sean with his handheld camera__________

The people beside me quite loudly (and possibly quite drunkenly) requested “HelmetHead” perhaps every second or third song. I am a stark-raving HalletHead, as everyone is well aware. I would be tickled in every way if I could see Bob sing more than one song in any given show, and although I appreciate their love of The Bob, is it possible that I got a bit annoyed with them? Well, maybe annoyed is the wrong word. When they finally did do HelmetHead Bob had an extra long accordion solo, which tickled me.

_____________________♥AccordionBob!!!!♥ _________________

Alan was amazed and delighted to discover that whenever he shouted the letters “O-H!”, the audience would invariably respond with “I-O!” Evidently he had never been exposed to this particular peculiarity of Ohioans, and took advantage of it several times during the band’s “Ode to Ohio”. At one point he asked us, “Does that work everywhere in Ohio or just here?” I imagine he’ll be filing that information away to use on later tours. I personally was amused by Bob’s reaction to this rabble-rousing – in addition to The Stern Look, Alan received a patented Bob Hallett “WTF!” look. I think Bob’s patience was commendable.

I really can’t bring myself to end a blog without a proper closing (that’s the academic in me, I suppose), but since I didn’t write one when I started the blog three weeks ago, and I don’t feel like writing one now…
I feel like listening to Great Big Sea now. So I’ll go do that. Plus I’ll get to work on some actual academic writing (which is overdue and is the main reason this blog is so late). Wish me luck!

So I thought it might be fun to go through my old Myspace archives - those that I wrote before resuscitating my Blogger account - so that my Pre-Blogger exploits could be enjoyed by my entire Internet readership. I am sure both of you will enjoy this:

MySpace Archives Part 1 -

Great Big Sea concert - September 16, 2008

The phrase "Magnificently Spectacular" falls short

Oh.......... My......... GOD!!!!!!!!!!!!!!!!!!
As my blog title states, human words of praise fall sadly short of describing what happened at the House of Blues Cleveland last Tuesday night. And it heralded what could quite possibly be the coolest thing that's ever happened to me. My pictures have been uploaded. Go check 'em out.
Here are some highlights, off the top of my head as I recall them, in no specific order:
I got to see my Daddy.
They did Gallows Pole again. As it was in Akron, it was beyond amazing. I found myself wishing that I had it in album or at least MP3 form, but realized that it would NOT be the same. It is powerful and mad, and, as Sean says, "evil". I doubt you could capture it on a CD. Unless, of course, they released another DVD *cough cough hint hint nudge nudge*.
As soon as Bob took his place for the first song, he saw me, noted my "I LOVE BOB" shirt, then smiled and raised his eyebrows to himself, possibly wondering what to expect from the crazy panty-flinging girl this time. If he guessed more panty-flinging, he was right.
In keeping with the ongoing "one guy does a solo on any given night" theme, Sean sang "Widow in the Window" from the Sea of No Cares record, a song that I've never seen live and that they haven't done in a while, at least.
Murray tried to lick Sean's ear.
Alan loves those sandwiches that Panini's makes with the potato chips in them. He says that Philly cheesesteak has nothing on Panini's sandwiches.
They did Walk on the Moon again. I cried. Again.
Sean likes to wear women's deodorant because it smells better than men's. He also likes to eat at the House of Blues restaurant because they feed him, water him, shower him and provide him with women's deodorant.
Kris is not just another pretty face.
Sean winked at me. And smiled at me on several occasions. I'm sure it was because he's a nice guy, and not because I was in the front row wearing a white t-shirt and bouncing like a madwoman.
I threw another pair of panties at Bob (again, purchased especially for the occasion and never worn). The last time they were white lace, this time I went for black zebra stripes. They both were size 5s (my panty size), because it's only appropriate. This time I opted for the 'flinging' release, as opposed to the previously used 'throwing' release, and accidentally got them suspended from his fiddle (the INSTRUMENT, you dirty-minded people). I was a bit embarrassed, but the crowd roared at this, and Sean loved it. He laughed and gave me an approving nod, and I spent the next four songs hoping that he wasn’t about to pick up his fiddle.
My camera behaved funny, causing a lot of my pictures to come out super red-orange and kinda fuzzy. I did get some decent ones, though, and they have already been posted on my page. Check them out, if you haven't already.
At the end of the show, Mr. Hallett approached the edge of the stage slowly and deliberately and presented me with his (his) set list and gave me a flirty wink (I can pretend it was flirty. You cannot prove me wrong. And if you can please get off of my cloud.) I may have passed out from sheer happiness.
I finally have a copy of "Up". The only album I am now missing is Great Big Sea.
I got a pamphlet at the House of Blues restaurant that has a picture of Great Big Sea on the top and a picture of Hanson on the bottom (I am going to see them there on the 29th). Again, sheer happiness.
They did Donkey Riding, Process Man, and Ferryland Sealer. For a third time, s h e e r h a p p i n e s s .
After the show was over and Dad got an Octopus shirt and a deck of playing cards, we headed back to my car on Prospect Avenue to get my bodhrán, then next door to Flannery's Pub, which was crowded and way too loud, though when I mentioned this to Dad, he thought it prudent to point out that the concert itself had been louder, but I say at least the concert was an explosively joyful noise, as opposed to the irritating cacophony in the bar. We wandered about there for a few minutes, trying to get close enough to the bar to ask for some water ("All I want is some water!!" I kept saying) because being a squealy HallettHead is hard on one's throat. Once we had accomplished that we made our way out to the bus and were stunned to find that Alan was already out there doing the meet & greet thing! As I approached I heard "Thanks for coming out, love" which may have been directed at someone else, but again if you feel that way GET OFFA MY CLOUD!
Dad got his cards signed ("I didn't even know we sold these," Alan told us with wonder, "but then, I don't really know what our t-shirts look like, either.") Dad said something about the show being awesome, and Alan shook his hand (and didn't let me forget later that he shook Alan Doyle's hand he shook Alan Doyle's hand Oh my God HE SHOOK ALAN DOYLE'S HAND!!) Dad had complained about being tired, as he had worked 11 hours the night before and was operating on 3 hours of sleep, but as soon as the guys took the stage he was as smiley as me. He even did some jumping, which I would have thought would have been hard on his back.
Anywho, Alan skipped out shortly after we got there. He sat on the other side of the fence that separated the road from the parking lot the bus was in and talked to some woman (I could see him. He was RIGHT THERE). I didn't want to interrupt him, but I really REALLY wanted a photo, and Dad was being accosted by an irritating and loud and aromatic homeless person. But when I started around the corner I was harassed by a guy in a yellow reflective jacket, who told me that the few steps I had traveled were not allowed and that I would have to return to the sidewalk. I still don't know what difference those three feet made, but I ended up leaving pictureless and feeling dejected, but reminded myself how AWESOME the show had been, especially all the Bob parts.
So we went back to my car, and I drove Dad to his parking garage. I got lost getting back to Prospect (I didn't want to go down Euclid, the official address of the HOB, because that wasn't where the bus was parked. HAD to see if Alan was still there.) Alan had since retired, but there were still roadies loading up the bus, and in a moment of insanity, I suddenly swerved into a parallel park across the street, thinking that I would hate myself forever for not at least giving it a try (I've been doing that a lot lately - acting before thinking so that I can't let myself get scared out of doing something - must be all this Walk on the Moon nonsense). I had nothing to lose, I reminded myself. I was going to bring my set list and get it signed, but figured that I had a good chance of returning unsuccessful. If I did find success, I decided that I would rather have success getting my bodhrán signed, as I've been waiting a long time for that.
So bodhrán case in hand, I strode across the street and stood there somewhat timidly (note: the place I was standing was significantly within the forbidden zone, but the crew didn't mind my being there, unlike the Yellow Jacket Guy). One of the guys came toward me on his way to the bus and said Hi to me. I said, "Hi... I know that the guys are supposed to be done for the night, but do you think I could get Sean to sign my drum for me?"
He said... "Sure."
Somewhat astonished, I handed him my bodhrán case, and added as an afterthought, "Tell them I'm the girl in the "I Bob shirt." He laughed at me skeptically, but I told him I was serious, he had to say it.
So glad I did. A minute later he re-emerged. With this:

And that, my friends, is when I died and went to heaven.